How Hollywood Started When Independent Filmmakers Moved to California In The 1910s To Escape Thomas Edison's Monopoly

By Jacob Shelton


Panoramic view of downtown Los Angeles showing Pershing Square, c.1910. (Charles C. Pierce/Wikimedia Commons)

Before 1915, Los Angeles was just a desert, but Carl Laemmle and a small group of like-minded independent film distributors recognized that its vast, inexpensive space and incomparable light made it the perfect place to build movie studios. It was also thousands of miles away from Thomas Edison and his Menlo Park laboratory. Why would that matter? Well ...

Thomas Edison: Movie Maverick?

By the dawn of the 20th century, Thomas Edison held more than 1,000 patents, and he became as adept at protecting them as he was at recognizing genius and exploiting it. He owned many patents critical to the creation and presentation of movies, like an early motion picture camera called the Kinetograph and an early film projector, but not all of them, and rather than buy up the remaining patents to complete his megalomaniac bingo card, he formed a group with the other patent holders called the Motion Picture Patent Company. If you wanted to make or show a movie, you had to go through them.